Après avoir sorti deux EP sur cassette en 2020 (respectivement sur Popwig et Born Yesterday), le premier album de Dummy arrive via Trouble in Mind Records (Chicago). Avec des guitares qui martèlent et une ambiance céleste, le groupe intègre une myriade de points de référence dans son style drone-pop. L’influence du mélodisme des années 60 et de la noise pop britannique des années 90 se mêle à l’inspiration du jazz spirituel, du new age japonais et du minimalisme italien.
▶︎ Hailing from Melbourne, but with a sound stretching from 60s and 70s Afrobeat and exotica, the proto-garage rhythmic fury of The Monks and the grooves of Os Mutantes, there’s an enticing lost world exoticism to the music of Bananagun. It’s the sort of stuff that could’ve come from a dusty record crate of hidden gems; yet as the punchy, colourfully vibrant pair of sold out singles Do Yeah and Out of Reach have proven over the past 12 months, the band are no revivalists. On debut album The True Story of Bananagun, they make a giant leap forward with their outward-looking blend of global tropical psychedelia. The True Story of Bananagun marks the group’s first full foray into writing and recording as a complete five piece band, having originally germinated in the bedroom ideas and demos of guitarist, vocalist and flautist Nick van Bakel. The multi-instrumentalist grew up on skate videos, absorbing the hip-hop beats that soundtracked them - taking on touchstones like Self Core label founder Mr. Dibbs and other early 90’s turntablists.
Van Bakel was joined first by cousin Jimi Gregg on drums – the pair’s shared love of the Jungle Book apparently made him a natural fit – and the rest of the group are friends first and foremost, put together as a band because of a shared emphasis on keeping things fun. Jack Crook (guitar/vocals), Charlotte Tobin (djembe/percussion) and Josh Dans (bass) complete the five-piece and between them there’s a freshness and playful spontaneity borne out of late night practice jams and hangs at producer John Lee’s Phaedra Studios in Melbourne.
The band’s seemingly innocuous name has an underlying message of connectivity that matches the universality of the music. “It’s like non-violent combat! Or the guy who does a stick up, but it’s just a banana, not a gun, and he tells the authorities not to take themselves too seriously.”